Irene Nevill, the LWS secretary at the time, suggested now was the time! In the next Society newsletter, a call went out to form the first-ever anthology committee. The seed germinated.
I read that newsletter on a sunny afternoon with my two-year-old son asleep for his nap and my infant daughter happily enjoying tummy time. A few months before her birth, I had set aside the memoir I was writing about my time working as a flight attendant to give myself a break, and be in the postpartum bubble with all the messy chaos it entails. But I missed writing and the creative process. While I didn’t think I could return to the mental load of writing a full book, I wondered if I could help with the behind-the-scenes process of pulling together an anthology. Could I organize nap schedules around committee meetings? Maybe I could? Maybe I should?
I thought of my former LWS critique group (oh, hey!), our camaraderie, and the stories that were still haunting me. I remembered the diverse voices I read over the years, purchasing books at LWS events and member launches. I thought of my own dreams and ambitions as an author. I had been published in various anthologies, and the thrill of seeing my name in print, I knew, was another step toward my dream of book publication. I could be part of a project that could give a publishing credit to other deserving writers and aspiring authors.
Thanks largely in part to work I produced in LWS critique groups and letters of support from members, in 2022 I graduated with my MFA in creative nonfiction writing. As writers, we all want to focus on our writing, right? Well, to sum up two years of study with a quote from one of my profs: “If you want to be a published author, you need to be mindful of your literary CV.” In short, your literary CV is what you submit to potential agents and publishing houses along with your manuscript. Unless you’re an absolute literary genius (spoiler alert: I’m not), folks in the biz want to see that you can handle the hard work. Aside from awards and publishing credits, a volunteer role on a committee or devoting time to the LWS Executive are great positions to include on a literary CV (and, a great way to meet new friends).
With that in mind—and the reality that the majority of my current creativity was focussed on making up silly songs, games, and new fun ways to serve vegetables—I put my name forward for the committee. As a bonus, I was excited by the prospect of spending a few dedicated hours each month talking to other literary-minded adults!
The first pre-planning meeting took place in the fall of 2023. Many were interested at first, but by early 2024 the committee had four core members: Donna Costa, Anne Kay, Brenda Martin and myself, affectionately dubbed the ‘A-team’. I was honoured to be nominated as Chair.
The quartet gelled instantly and I looked forward to our meetings each month. Before finishing his term as President, Ron had proposed the timeline of publishing in June 2025, and now it was up to us to figure out how to make that happen in 18 months. The ‘A-team’ shared a common vision for the anthology: to showcase LWS members, to provide them with an opportunity for a publishing credit—a plus for authors hoping to be traditionally published down the road—and to promote the Society by attracting more writers and readers from the community.
With our vision in place, we needed a theme. In one of our early meetings, Brenda suggested, “What about, Out of the Woods?” We all agreed it was perfect. The Zoom meeting ended just as my little ones were waking up from their naps. I was content with my decision to take a behind-the-scenes role, thrilled that we had the title in place, and felt confident our committee was going to do a great job.
And then the phone rang.
To be continued…
Martha Morrison is honoured to have served as Chair of the Anthology Committee for the London Writers Society’s inaugural anthology project Out of the Woods. She holds a BSc in Biochemistry and an MFA in Creative Nonfiction writing. Her work has been published in various literary anthologies and she was shortlisted for the International Amy MacRae Award for Memoir. Her previous careers include flight attendant and professional ballroom dance instructor. Martha lives on a farm outside London with her family, dogs, cats and chickens. Most days, she gets up before the rooster (and the kids) to write in the quiet early mornings.
